Category Archives: goth

Disintegration

The Cure’s Disintegration is another on my list of absolute top-5 favourite albums. I cannot even begin to express the profound affect this album has had on me. I remember one time I told one of my best friends Kelsey that she needed to hear this album. I put it on in her kitchen (we were eating something) and the CD player was on repeat. The next thing I knew we had gone through the album 3 and a half times. We didn’t speak to each other, we didn’t move. While I have a lot of CDs that I absolutely loooove, Disintigration is the only one to have such an affect on me physically. If ever I listen to this in the car (as I was today) I seem to get to my destination without really remember all of the journey. I just become completely absorbed in the music. It sounds completely stupid but I feel like I feel feelings I didn’t know I had when I listen to this album!!! (I feel so angsty!)


I don’t know exactly what it is. The music itself creates a very unique sound world, filled with vibrant sounds from the 80s and just perfect percussion. Robert Smith’s voice is incredibly haunting and trance inducing. And it may sound a little ridiculous but sometimes when I listen to Disintegration I feel like I never want to hear another album aside from it.

It was the 8th studio album of The Cure, and the band’s best selling to date. It marked a return for the group to a gloomy gothic rock they had established earlier on in the decade. The album was number 326 on Rolling Stone magazine’s 500 Greatest Albums of All Time (although for me it is much higher!!!)

Wikipedia describes the music on the album perfectly: “Disintegration is epitomised by a significant usage of synthesizers and keyboards, slow, “droning” guitar progressions and Smith’s introspective vocals. “Plainsong”, the album’s opener, “set the mood for Disintegration perfectly,” according to journalist Jeff Apter, by “unravelling ever so slowly in a shower of synths and guitars, before Smith steps up to the mic, uttering snatches of lyrics (‘I’m so cold’) as if he were reading from something as sacred as the Dead Sea Scroll.” Smith felt the song was a perfect opener for the record, describing it as “very lush, very orchestral”. The album’s third track, “Closedown”, contains layers of keyboard texture complemented with a slow, gloomy guitar line. The track was written by Smith as a means to list his physical and artistic shortcomings. Despite the dark mood present throughout Disintegration, “Lovesong” was an upbeat track that became a hit in the United States. Ned Raggett of Allmusic noted the difference from other songs: “the Simon Gallup/ Boris Williams rhythm section create a tight, serviceable dance groove, while Smith and Porl Thompson add further guitar fills and filigrees as well, adding just enough extra bite to the song. Smith himself delivers the lyric softly, with gentle passion.”

The lyrics are incredible, the music is other worldly and I just can’t describe how into this album I get as I’m listening to it. I love every second of this album and songs like “Pictures of You”, “Lovesong”, and “Disintigration” are just unreal.

And who doesn’t adore “Friday I’m In Love”? It comes on almost every night on the radio when I go to sleep and I get so happy everytime I hear it. I was in Bed Bath & Beyond a few weeks ago with two of my best friends when it came on the radio and we were all like, “wow, I really love this song.”

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